A biking/walking trail called the Heritage Trail runs close to where I live, connecting the villages of Harriman, Monroe, Chester, and Goshen. Normally I start my walk at the Monroe access. First, it’s the closest; second, the terminus of my walk is usually an ancient cemetery at a place called Oxford Depot, about halfway between Monroe and Chester. The oldest gravestone here dates from 1795; the majority of them are roughly from the Civil War era. (Recently I was amused to read a blog that claimed that there is supernatural activity taking place at this cemetery; for one thing, strange orbs appear on photographs taken there. Well, yeah, I’ve had those orbs on my photos of the site–it’s called lens flare and it’s produced when your lens is inadequately protected from the sun!)
Anyhow, a couple of weeks ago I decided to start my walk at the Chester access, because I dimly remember, several years ago, seeing a lot of goldenrod along the trail in that area and I thought it might be fun to try to shoot.
It turned out to be one of those delightful occasions where the shoot turns out to be quite different from, and better than, what I expected. Sure there was a bit of goldenrod, but nothing that made for a worthwhile photograph. But driving into town I was stunned by the historic buildings, especially near the old railroad station. (Interesting how one’s photographic eye expands or changes with the years; on that first trip a few years ago the buildings wouldn’t have popped up on my photographic radar at all.) I made a few images of a colorful American-themed building right close nearby after having photographed several cyclists on the bike trail and then, because the light was starting to turn too harsh and hazy, decided to return another day to continue the shoot.
This I did yesterday, and here are a couple of results. The sunflower was one of a few growing at the station, and I’m including her picture here because she seems to be saying, “Hey, look at me–I survived Hurricane Irene!” And so she did, she and her sisters with her in the little plantation.
Some of my shots used my “two-for-one” approach in which the actual contents of a store window are combined with the reflection of what’s across the street. You see one of those here; I also made a sepia version (right out of my “faux vintage” school), and for that you’ll need to visit my regular website.