Postprocessing Those Historic Buildings: A Lesson Learned

BL DSC-1707 Top Hvy pop grunge

Recently I posted about my experiences in shooting and postprocessing images of some historic buildings in Rhode Island, choosing images of two different sites for examples. One building, the Bradford Soap Factory, is still in use for its original purpose; the other, the Royal Mills, has been converted from its previous industrial use to a block of residential apartments. What they have in common, however, is that both are in essentially urban settings and are still in use. This enabled me to be quite consistent in my postprocessing; in each case it was the same preset in Topaz Adjust 5 and Nik Silver Efex Pro 2 that I could use with effect for color and monochrome versions respectively.

That changed when I went to process two other sets of images. One was from the same Rhode Island shoot — the “decrepit” (to use the Providence Journal‘s word) Hope Mill in Scituate — and the other from one of my frequent and recent trips to the Northern Catskills, home of many hotels and resorts that went bust — this time a resort called Villa Maria that occupies an extensive property in Haines Falls. These two sites also have two things in common: they’re not in urban settings and they’ve not been kept up. This means an awful lot of overgrowth with grass, greenery, and, in the case of the Haines Falls site, plenty of goldenrod.

BL DSC -1710 Top Hvy Pop SmoothSo, when I tried to process the Hope Mill images, I quickly realized that the same Topaz Adjust preset wasn’t going to work for the color: the greenery — and there was plenty of it — was undersaturated and the results were rather lifeless. I used different presets (again in Topaz Adjust) that worked for the Hope Mill images, and for the monochrome could continue with the same preset in Nik Silver Efex Pro 2. The one at the top of this post was done with Heavy Pop Grunge; the greenery isn’t that overwhelming and the preset brings out the detail in the building nicely.  For the image at the left, however, it had to be Heavy Pop Smooth — thus, similar but without the level of detail that would have caused the greenery to overwhelm the building. In both cases, the Heavy Pop brightened up the grass and the sky.

Villa Maria was a different story. For one thing, this isn’t one building but a variety of buildings. Also, there was quite a bit more overgrowth. Here’s the problem: I often like to show a lot of detail — structure — in these photographs, on the buildings themselves. But use a high-structure preset where there’s lots of grass and weeds overgrowth and the pictures looks too messy, too busy.

What to do? Basically, I separated these images into two types — the ones in which the building prevailed and those in which the overgrowth prevailed — and processed accordingly, again using Topaz Adjust presets (as yet I haven’t processed these in monochrome). Here are some results. Oh, and before I forget: This post could end up being another in my “Do It Now” series: My friend Bill Patenaude sent me an article from the Providence Journal reporting on a Connecticut developer who wants to take over the Hope Mill and give it a similar sort of treatment to the Royal Mills. And I understand (this is anecdotal from someone local in Haines Falls, I have no written source) that someone has bought the Villa Maria site. So, photograph these places while you have the chance … you never know when they’ll change, or even disappear.

Close-up of bjuilding. minimal greenery, thus a more detailed treatment was possible.

Close-up of building. minimal greenery, thus a more detailed treatment was possible.

In a sense, this image breaks the rules I've just established. The grass, weeds, and trees really are the main subject, more than the building, so I let in some detail to highlight this.

In a sense, this image breaks the rules I’ve just established. The grass, weeds, and trees really are the main subject, more than the building, so I let in some detail to highlight this.

Villa Maria. Too much detail in all that shruibbery would have overwhelmed the building. I went with a somewhat softer look in which the color prevails. This somehow shows a harmony between the building and the green.

Villa Maria. Too much detail in all that shrubbery would have overwhelmed the building. I went with a somewhat softer look in which the color prevails. This somehow shows a harmony between the building and the green.

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4 thoughts on “Postprocessing Those Historic Buildings: A Lesson Learned

    • Thanks, Otto! 🙂 I was up photographing one of those sites on the weekend — not one I submitted for the course though — an abandoned (but not ruined) set of vacation cabins. Having first shot them in the spring when they were overrun with vibrant greenery, I returned to find the greenery cleared away, the trees in autumn colors, and lots of leaves on the ground. Will I try in winter as well? Perhaps …

  1. Interesting post, I like you thoughts on how to deal with these different types of image. I came across your site via Otto…and share your love of old buildings! Am just off to take a look at some of your other posts.

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