It’s in the Timing

DSC0306 ed s

I just saw a news video from the local TV station showing a Coast Guard ice breaker making its way up the Hudson River from West Point to Albany to clear a path through the frozen river for the traffic to get through. Here’s the link:

http://westchester.news12.com/news/u-s-coastguard-crew-takes-to-the-hudson-river-to-help-break-the-ice-1.6871920

Aside from its scenic beauty, the Hudson has always been and still is an important thoroughfare for commercial traffic. This is especially important right now since most of the heating oil used in our area is transported this way, and we’ve had really frigid temperatures since early this week!

About three years ago at this time I happened to be visiting one of my favorite local photo spots at Plum Point on the Hudson, figuring on getting some “frozen Hudson” shots. I had no sooner set up camera and tripod than along came the Coast Guard vessel breaking a path through the ice. Great timing! I got a number of shots, but the one at the top here was the best.

For signed prints

For framed and other photo products

Advertisements

Ashokan Deep Winter: Win a free print!

Photo 1

Photo 1

I love shooting at the Ashokan Reservoir, that once-controversial body of water in New York State’s Catskill Region whose creation necessitated the obliteration of several villages in the Esopus Valley in order to supply water to New York City. The above image, made yesterday in bone-chilling temperatures, is arguably the finest in my Ashokan Reservoir collection. This version of the picture is the original postprocessed version, done first in Raw and then in Photoshop CS5 using a few adjustment layers.

Photo 2

Photo 2

Then, just out of curiosity, I brought the photo into Nik Color Efex Pro 4 and used the Tonal Contrast preset, which gives values of  25% (Highlights), 50% (Midtones), 25% (Shadows), and 20% (Saturation).  To my eye the result–here it is above–seemed a bit of overkill, but I saved it along with the original.  Then–and here is always the insidious trap with these plug-ins–the more I looked at the two versions, the more “normal” the Nik version looked, and the more “boring” the original. Not a good thing–to me it issues a powerful warning about the potential for plug-ins and filters (or at least, I should clarify, their overuse, especially in nature images) to influence what the eye will accept.

Photo 3

Photo 3

I decided to experiment with creating a third version. This is, let me emphasize, not so much a compromise as an alternative interpretation. Again it uses Tonal Contrast in Nik Color Efex Pro 4, but here I’ve changed the values to 20%, 25%, 20%, and 20%. Here it is above.

DSC0229 BW Bl

Then came the inevitable step: a black-and-white conversion. Again, an alternative interpretation, not something to replace the color versions. I first tried it with a B&W Adjustment Layer in Photoshop but didn’t particularly care for any of the results I was getting, so I went with–guess what–the B&W preset in Nik Color Efex Pro 4. Why? Because it’s a nature/landscape image, and I’m perhaps a bit wary of falling into an overly “artsy” interpretation were I to use Nik Silver Efex Pro 2, which I especially like for my old and historic buildings. Here I used 60% (Filter Color) 34 (Strength), 8 (Brightness), and 44 (Contrast), as well as 31 and 20 for the Shadows and Highlights sliders respectively. Here you see the results.

Now comes your opportunity to win a free matted print of one of these images. Just reply in a comment to this post and tell me (1) which of the three color images you prefer; and (2) whether you prefer the color or the black-and-white.  There are no “right” or “wrong” answers–just call it a marketing survey. Please identify your preference by the number given in the caption — Photo 1, Photo 2, Photo 3 — to avoid any misunderstandings. From the replies received by February 17, 2013 to both questions I will randomly choose two persons to receive a 5 x 7 print, matted to 8 x 10 and signed by me. Each winner will receive the version he or she preferred.

All images are printed on high-quality professional Lustre paper, carefully matted and inserted into a protective sleeve before being carefully packed and shipped. I will notify the winners by email to request their mailing address.

Thank you for participating in my marketing survey! — Oh! At the top of the blog I described the Ashokan Reservoir as “once controversial.” You can well imagine that the destruction and flooding of such a large portion of the Esopus Valley evoked strong feelings, heartache, not to mention the loss of many homes and livelihoods. Then I recently watched an excellent DVD by renowned historian/film maker Tobe Carey on the construction of the Ashokan Reservoir, which eloquently depicted the effects this project had on the lives of those who were displaced by it. Near the end of the film, a man was interviewed who observed that if the reservoir had not been built here, this area would undoubtedly have been subjected to massive development. “What would you rather be looking at,” he asked, “this beautiful reservoir or a shopping mall?”

To this observer, anyway, that’s a no-brainer.

Noon Mark Diner, an Adirondack Gem

The Noon Mark Diner is, of course, named for the mountain that towers over this part of the Adirondacks: the diner is located along Route 73, the road that leads from the Adirondack Northway (a.k.a. I-87) to Lake Placid, in Keene Valley. It’s a mecca for anyone wanting good, tasty, Ed IMG_0362 snonpretentious food and friendly service, whether hiker, local, or tourist. The management also has a sense of humor: don’t you love this photo? (I couldn’t resist buying one of the pens.)

I stopped there to get a take-out lunch on my way home from my most recent trip to Lake Placid, and while waiting for my grilled cheese sandwich to be ready I pulled out my Canon Powershot G15 and made some images for my Diners and Restaurants series. Here is the first one I’ve processed (been busy processing images from my New England trip in October).

This was all done with the jpg in Photoshop–still don’t have Raw processing software that supports the G15. After lightening it a bit in Levels (232, down from 255) I increased the Vibrance, then brought it into Topaz Adjust 5. Using the Spicify preset, I chose Medium Contrast under the Curve Tool in Global Adjustments. Back in Photoshop–sometimes I can get this far and then decide that something is overdone (or underdone). So I decreased the saturation by -10 and increased the lightness by +2. Here is the result.

Ed IMG_0358 s

Leaving Well Enough Alone in Photography

DSC0670 blog

Sometimes the problem with having an array of editing software and plug-ins on one’s computer is that one can fall into the trap of thinking that one has to use it. Don’t get me wrong–I love my Photoshop, Nik software, Topaz Adjust and all, but the danger of overprocessing is always present; these toys are always screaming out to be used!

Here are two photos I made on my latest visit to the Adirondacks, just after Thanksgiving. It’s of the High Peaks from one of my favorite vantage points, where the Adirondak Loj Road intersects with Route 73. I always shoot in Raw and jpg, and when I uploaded and looked at these particular images in jpg, I loved them just as they came “out of the box.” OK, possibly I cropped the bottoms slightly, but otherwise my first reaction was that they looked just as Asher B. Durand would have painted the scene.

I opened the Raw file of one of the images to try to process it but gave it up as unnecessary–why “improve” on what I already liked as it was? Am I concerned that people won’t think me sufficiently “professional” if I can’t offer an impressive description of my postprocessing?

Interestingly, I included one of these images on one of my 2013 calendars with the theme A Certain Beauty (thank you to the friend who suggested this theme), and when a lady who had bought one of the calendars leafed through it and came to this picture, she commented, “It looks just like an oil painting.”

DSC0679 blog

The Adirondacks: Visiting an Old Friend

DSC0639 s

The Lake Placid region of the Adirondacks has always been one of my favorite places to photograph. In a sense it was the place where I cut my teeth photographically, as many of my earliest serious endeavors took place there, back in the days of Fuji Velvia film and my dear old Nikon 6006 camera. My last visit there, however, had been a foliage trip in October 2010, and so it was more than time for a return. Thanksgiving weekend I took to the roads, fully expecting to get some gorgeous shots of the High Peaks in the sweet early morning sunlight–so lovely at this time of year when one doesn’t have to get up and out at an ungodly hour to make such images!

The weather had other ideas. The flurries I encountered on the Northway north of Schroon Lake–it’s always fun to drive through flurries, and they weren’t supposed to amount to anything–turned into some serious stuff by the time I was halfway between Exit 30 and Lake Placid on Route 73, and it became obvious that this wasn’t going to go away. Scratch the sweet sunlight shots; this was going to be snow close-ups in the Wilmington Wild Forest. Which I did. But after a lunchtime break at High Falls Gorge (more on that another time), as I was driving back toward Lake Placid along Route 86 (one of my favorite roads in the universe), the sun did make an appearance, just as i decided to pull into the parking area at Monument Falls.

Monument Falls is one of those iconic spots with a great view of Whiteface Mountain. I had photographed it countless times before, but years pass, you learn more about your craft, and you have a better camera and considerably expanded knowledge of post-processing, so I wanted to give it a try. In place of the late autumn foliage I had originally expected, there was, of course, snow, and the late afternoon sun was lending a nice glow to Whiteface. Out came the Nikon D90 and tripod, and I made several images, vertical as well as horizontal. I was more aware of the extra interest added by the mountain’s reflection in the water (the Ausable River, a branch of which runs through here).

Then came the post-processing. I worked on a horizontal that I thought was OK but decided to try a vertical as well in order to minimize the dark clump of trees that otherwise can threaten to be a distraction. When post-processing my historic or dilapidated buildings or my street scenes I like to give my creativity fairly free range, but my nature images I prefer minimal post-processing, on the theory that nature itself does it best. Still, I brought the image into Nik Color Efex Pro 4 (yes! I just upgraded to Pro 4). For some reason I decided to experiment with the Tonal Contrast preset, which I normally avoid in my nature shots out of concern that the result will look too artificial. Lo and behold, it worked. I moved the sliders to 44 (highlights), 50 (midtones), 20 (shadows), and 20 (saturation), and it was just enough to produce a “pop” without resulting in an inappropriate, contrived look. The result is what you see above.

Ed IMG_0350 sThis was also my first visit to Lake Placid since I got seriously into my street scenes and window reflections photography. Here I used my brand new Canon Powershot G15. Below is one of the results. Click on the image and it will take you to other images from this trip, just uploaded onto my website.