Look Behind You

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Pictures of lots of photographers all lined up jostling for space so they can get their shot of that “iconic scene” are legion. To counter this, you have wise, experienced photographers who advise you, “Look beyond the obvious!” Turn in another direction!” “Look behind you!”

I was reminded of this recently not by a top-notch photographer but by a lady I met in the course of a walk at one of my favorite spots — Cooper Lake in the Catskill Mountains of New York. It was Christmas Day and the relentless chill that would (little did we then know) plague our entire winter here in the Northeast was just settling in. I set out with my new Nikon D7100 hoping to get some shots of the lake while the ice, not yet very thick or snowed over, still had some interesting patterns in it instead of  the boring, uniform white that would develop later.

People you meet along the lake are usually very open and friendly, and this lady, who said she often brings a little camera along but didn’t have it with her that day (only a fanatic like me was actually going to stop in that freezing cold to set up a camera and shoot), told me that farther along, on the side of the road away from the lake, dripping water was producing some interesting ice activity on the rocks and branches — in other words, don’t just look at the obvious — the lake — and pass up this close-up potential.

Sure enough, a little farther along and there it was. It had grown much too cold to have the patience to set up the tripod and try to get intricate shots that would really have done justice to the scenes, so the best I could do was to put on my Tamron 75-300mm Vibration Reduction lens, turn on the VR, and shoot handheld.  This is a lot of trial and error, but if a couple of good shots result, it’s worth it. Here are my couple of reasonably good shots.

DSC0168 BW sI had a few icicle photos to choose from, and the one at the top of this post was the best. I processed it in blue for an unusual effect. Then, out of many snow-ice-branch and twig-rock images, I selected this one on the left and processed it in black and white; the color did nothing to enhance it, and the B&W enhanced the starkness of this winter weather.

And yes, I did get a fairly decent image of the lake itself with the ice patterns. Here, below, is the one I chose. A good deal of cropping from the bottom was necessary, and retaining the color — actually, processing it so as to bring out the color — was the way to go. You can click on this image and on the top image of the blue icicles to see the larger photos on my website.

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Again, remember that it’s always worth looking away from the obvious — you never know what you’ll find that will make an interesting photograph.

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It’s in the Timing

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I just saw a news video from the local TV station showing a Coast Guard ice breaker making its way up the Hudson River from West Point to Albany to clear a path through the frozen river for the traffic to get through. Here’s the link:

http://westchester.news12.com/news/u-s-coastguard-crew-takes-to-the-hudson-river-to-help-break-the-ice-1.6871920

Aside from its scenic beauty, the Hudson has always been and still is an important thoroughfare for commercial traffic. This is especially important right now since most of the heating oil used in our area is transported this way, and we’ve had really frigid temperatures since early this week!

About three years ago at this time I happened to be visiting one of my favorite local photo spots at Plum Point on the Hudson, figuring on getting some “frozen Hudson” shots. I had no sooner set up camera and tripod than along came the Coast Guard vessel breaking a path through the ice. Great timing! I got a number of shots, but the one at the top here was the best.

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Ashokan Deep Winter: Win a free print!

Photo 1

Photo 1

I love shooting at the Ashokan Reservoir, that once-controversial body of water in New York State’s Catskill Region whose creation necessitated the obliteration of several villages in the Esopus Valley in order to supply water to New York City. The above image, made yesterday in bone-chilling temperatures, is arguably the finest in my Ashokan Reservoir collection. This version of the picture is the original postprocessed version, done first in Raw and then in Photoshop CS5 using a few adjustment layers.

Photo 2

Photo 2

Then, just out of curiosity, I brought the photo into Nik Color Efex Pro 4 and used the Tonal Contrast preset, which gives values of  25% (Highlights), 50% (Midtones), 25% (Shadows), and 20% (Saturation).  To my eye the result–here it is above–seemed a bit of overkill, but I saved it along with the original.  Then–and here is always the insidious trap with these plug-ins–the more I looked at the two versions, the more “normal” the Nik version looked, and the more “boring” the original. Not a good thing–to me it issues a powerful warning about the potential for plug-ins and filters (or at least, I should clarify, their overuse, especially in nature images) to influence what the eye will accept.

Photo 3

Photo 3

I decided to experiment with creating a third version. This is, let me emphasize, not so much a compromise as an alternative interpretation. Again it uses Tonal Contrast in Nik Color Efex Pro 4, but here I’ve changed the values to 20%, 25%, 20%, and 20%. Here it is above.

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Then came the inevitable step: a black-and-white conversion. Again, an alternative interpretation, not something to replace the color versions. I first tried it with a B&W Adjustment Layer in Photoshop but didn’t particularly care for any of the results I was getting, so I went with–guess what–the B&W preset in Nik Color Efex Pro 4. Why? Because it’s a nature/landscape image, and I’m perhaps a bit wary of falling into an overly “artsy” interpretation were I to use Nik Silver Efex Pro 2, which I especially like for my old and historic buildings. Here I used 60% (Filter Color) 34 (Strength), 8 (Brightness), and 44 (Contrast), as well as 31 and 20 for the Shadows and Highlights sliders respectively. Here you see the results.

Now comes your opportunity to win a free matted print of one of these images. Just reply in a comment to this post and tell me (1) which of the three color images you prefer; and (2) whether you prefer the color or the black-and-white.  There are no “right” or “wrong” answers–just call it a marketing survey. Please identify your preference by the number given in the caption — Photo 1, Photo 2, Photo 3 — to avoid any misunderstandings. From the replies received by February 17, 2013 to both questions I will randomly choose two persons to receive a 5 x 7 print, matted to 8 x 10 and signed by me. Each winner will receive the version he or she preferred.

All images are printed on high-quality professional Lustre paper, carefully matted and inserted into a protective sleeve before being carefully packed and shipped. I will notify the winners by email to request their mailing address.

Thank you for participating in my marketing survey! — Oh! At the top of the blog I described the Ashokan Reservoir as “once controversial.” You can well imagine that the destruction and flooding of such a large portion of the Esopus Valley evoked strong feelings, heartache, not to mention the loss of many homes and livelihoods. Then I recently watched an excellent DVD by renowned historian/film maker Tobe Carey on the construction of the Ashokan Reservoir, which eloquently depicted the effects this project had on the lives of those who were displaced by it. Near the end of the film, a man was interviewed who observed that if the reservoir had not been built here, this area would undoubtedly have been subjected to massive development. “What would you rather be looking at,” he asked, “this beautiful reservoir or a shopping mall?”

To this observer, anyway, that’s a no-brainer.